I think I can comfortably say that the curtains in the master bedroom are now "done."
The drapery set in the middle was a bit of a challenge, because the other two drapes projected outward into the space where the middle one hangs. Had I made the middle one the same size and shape as the two on the sides, the corners where they meet would have fought each other, and thus NONE of the drapes would fit.
I ended up using my protractor, computer scanner, and some PowerPoint software to create a revised template for the middle piece. The top of the middle piece is not a long rectangle like the other two. Instead, it is a trapezoid. Figuring out all the angles was a bit of a challenge. Then, too, I had to make the pleats narrower than the ones on the sides. All told, it was a bit of a designing challenge. But everything has worked out for the best. Now I only have to install the baseboards in the room, and add a variety of homey touches to make it feel more like a real room, and the master bedroom will be done! Yeah!
Saturday, February 6, 2010
Tuesday, February 2, 2010
It's Curtains, I Tell Ya!
I think I watched one too many gangster movies when I was a boy. One of the lines gangsters (and a few police detectives) used in those old time shows was, "It's curtains for you, kid!" The implication was that the individual's time on this earth was nearly coming to an end.
Well, as I begin to finish off the rooms with curtains, it also means I'm nearing the end of this dollhouse project. So, thus explains the above headline.
Here is a picture of the curtains in progress for the parlor in Sara's dollhouse. For those of you who are familiar with that project, it's a Victorian house with a two-story bay window on the left side of the house. The angles of the two corners of the bay are approximately 60 degrees.
Above the windows in this room is crown molding that comes down almost to the tops of the window trim. I considered for a while whether or not I should "hang" my drapes from curtain rods in this tight space. I decided that doing so would not gain me much of anything. So, I cut out a piece of half-inch plywood. (You can see it on the top, right-hand side of the photo.) The plywood projects out about 3/8" from the wall - about the same distance that the drapes would have been held away from the wall had I used a curtain rod to hold them. To secure the drapes to the wood, I used an aggressive fabric glue (FABRI-TAC), which dries very quickly. It's also acid free, which is important to me. (I want my creations to last for a generation or two yet to come.)
I found a one-inch wide ribbon that I think makes an attractive valance for the top. On my computer screen this valance comes off looking more green than gold. In real life, it appears more gold than green. Who knows what it looks like on YOUR computer monitor!
In the photo at left, you can barely see a little bit of the pleating device I used to make my curtains. It was built by Anker Rasmussen back in the 70's and is solid brass. I like using it, because after I push the cloth down into the gap between the brass pipes, I can inserts pins into a styrofoam backing to hold it in place. I can then spray the curtains with fabric stiffener to "lock in" the pleats.
Once I had the pleats, then I took grosgraine ribbon and trimmed off one edge and pulled the long threads from the ribbon to create a delicate fringe. I next glued that fringe in place along the bottom of the curtain.
Well, as I begin to finish off the rooms with curtains, it also means I'm nearing the end of this dollhouse project. So, thus explains the above headline.
Here is a picture of the curtains in progress for the parlor in Sara's dollhouse. For those of you who are familiar with that project, it's a Victorian house with a two-story bay window on the left side of the house. The angles of the two corners of the bay are approximately 60 degrees.
Above the windows in this room is crown molding that comes down almost to the tops of the window trim. I considered for a while whether or not I should "hang" my drapes from curtain rods in this tight space. I decided that doing so would not gain me much of anything. So, I cut out a piece of half-inch plywood. (You can see it on the top, right-hand side of the photo.) The plywood projects out about 3/8" from the wall - about the same distance that the drapes would have been held away from the wall had I used a curtain rod to hold them. To secure the drapes to the wood, I used an aggressive fabric glue (FABRI-TAC), which dries very quickly. It's also acid free, which is important to me. (I want my creations to last for a generation or two yet to come.)
I found a one-inch wide ribbon that I think makes an attractive valance for the top. On my computer screen this valance comes off looking more green than gold. In real life, it appears more gold than green. Who knows what it looks like on YOUR computer monitor!
In the photo at left, you can barely see a little bit of the pleating device I used to make my curtains. It was built by Anker Rasmussen back in the 70's and is solid brass. I like using it, because after I push the cloth down into the gap between the brass pipes, I can inserts pins into a styrofoam backing to hold it in place. I can then spray the curtains with fabric stiffener to "lock in" the pleats.
Once I had the pleats, then I took grosgraine ribbon and trimmed off one edge and pulled the long threads from the ribbon to create a delicate fringe. I next glued that fringe in place along the bottom of the curtain.
I added tiebacks after I had formed the pleats and I had removed the fabric from the metal frame.
I used another kind of ribbon to create the tiebacks for the curtains on the sides. (It's a delicate, diaphanous ribbon.) I pinned the curtains to the styrofoam block and then gently worked the curtains back to a point where I liked the shape and then glued the tieback into place. Next, I glued the curtains to the plywood form mentioned (and shown) above.
Below is a photo of the drapes trial-placed in the parlor. I haven't put them in permanently yet, because there's still some work I need to do with the drape on the right. It's not hanging quite right, and I'm going to have to do some work on it. So, it's still not quite curtains for this dollhouse project, but we're getting to the point where I think I can see the end not too far down the road!
Saturday, January 30, 2010
Uh-Oh! Problems...
I thought it was going to be so easy. All I had to do was to run my board through the table saw, turn it over and cut the other side. Then I planned to take a saw and cut out the piece of remaining wood between the two cuts. I saw it done on a video I watched recently for how to cut thin pieces of wood from a piece of wood too tall for the saw blade.
The video had included the idea for using a simple jig (a piece of wood fixed up to hold my board) that would help me cut thin pieces of wood. A quick glance at the photo on the left appears to be okay, but it wasn't.
What happened was that my jig wasn't square. I ended up with a piece of wood that got progressively thinner as I pushed the board through the saw.
So... next step? I'm going to review my video again. Then I'm going to repair or build a new jig. Then try it again. Fortunately, I have a good quantity of walnut wood that I can make some mistakes and still not be out of wood. It just means that part of the original block of wood I showed in my blog back before Christmas will not be part of this project...
Here's another side view of the same piece of wood... I tried a second time on the other face of the board, and doggone if it didn't come out the same way. I thought maybe I had just held the wood incorrectly as I used the jig. Apparently, not so!
I know this is going much more slowly than one would think it should take. That's partly because I've been working on curtains for Sara's house, too. My next two posts will include updates on what's going on with those.
The video had included the idea for using a simple jig (a piece of wood fixed up to hold my board) that would help me cut thin pieces of wood. A quick glance at the photo on the left appears to be okay, but it wasn't.
What happened was that my jig wasn't square. I ended up with a piece of wood that got progressively thinner as I pushed the board through the saw.
So... next step? I'm going to review my video again. Then I'm going to repair or build a new jig. Then try it again. Fortunately, I have a good quantity of walnut wood that I can make some mistakes and still not be out of wood. It just means that part of the original block of wood I showed in my blog back before Christmas will not be part of this project...
Here's another side view of the same piece of wood... I tried a second time on the other face of the board, and doggone if it didn't come out the same way. I thought maybe I had just held the wood incorrectly as I used the jig. Apparently, not so!
I know this is going much more slowly than one would think it should take. That's partly because I've been working on curtains for Sara's house, too. My next two posts will include updates on what's going on with those.
Tuesday, January 12, 2010
Work on the Walnut Project Has Begun
I know I was accused of being a tease when I posted pictures of blank wood. It's been about a month since I posted that picture. I didn't mean to keep you waiting this long. I just didn't have much to show you. I still don't, really.
This is one of those projects that will take me several months to do. Considering all the other projects I have going right now - both large and small. The intensity of my work has been heightened lately, too. It could be a very L-O-N-G time before I have something in a finished form to show you. But at least, it's started.
By the way, the turning on the lower right was the first thing I've actually turned on my new lathe. Yeah. I know. I need to practice. That turning may not end up being my finished product... The two pieces to the left of the turning are parts of the wood that came off of the unit on the far left. I just love making cabriole legs! It's kind of like a chocolate covered caramel - there's something extra special on the inside!
This is one of those projects that will take me several months to do. Considering all the other projects I have going right now - both large and small. The intensity of my work has been heightened lately, too. It could be a very L-O-N-G time before I have something in a finished form to show you. But at least, it's started.
By the way, the turning on the lower right was the first thing I've actually turned on my new lathe. Yeah. I know. I need to practice. That turning may not end up being my finished product... The two pieces to the left of the turning are parts of the wood that came off of the unit on the far left. I just love making cabriole legs! It's kind of like a chocolate covered caramel - there's something extra special on the inside!
Friday, January 1, 2010
Finishing Miniature Furniture
Debbie S. posted a nice comment and a question about finishing materials for staining and varnishing minis. She had a House of Miniatures finishing kit, which included a stain, glaze and varnish. I used the House of Miniatures finishing materials on my Victorian bookcase. (See my March 12 blog for photos of the bookcase.)
When I purchased the finishing kit, the varnish had already gone bad; so I only used the stain. I wasn't sure how to finish it, though, until I attended a miniature show in Chicago. One of the professional furniture builders there recommended I use Deft semi-gloss. He noted that it dries quickly and goes on thin enough that it doesn't overwhelm the delicate work piece. I've used Deft ever since on all of my minis.
As far as stains go, I've used a variety of them. However, I don't use and don't recommend using water-based stains. The water-based stains raise the grain of the wood. Oil-based stains don't. Miniaturists don't need to be afraid of using commercial, oil-based wood stains.
Sherwin Williams used to sell small cans of stain that were about a half-pint volume. For miniatures use, they were perfect, since I didn't need very much of it. Now, however, I can only get their stains in quart containers. As long as you seal the can thoroughly, you can make one of those quart sized containers last a l-o-n-g time! (The stain doesn't dry out nor does it get a skin on the top of it like paint and varnish do.) If you have some friends in the hobby, you could by a quart of the stain, stir it up thoroughly, pour it out into a bunch of baby food jars, and share it with them!
The main thing to remember when using these stains is that you will need to stir the can (or jar) thoroughly each time you use it, because the dark pigments often settle to the bottom of the can. Also, if you're working with a wood grain that doesn't take the stain evenly (like pine wood), it's advisable to get a can of clear stain and apply that first to reduce the stain's uptake into the grain. This is especially important for end grain parts of the wood. They can become extremely dark, because they absorb too much of the stain - far more than the top and sides of a piece of wood.
Many of the paint stores will have displays showing the various colors of stain they have available. The display will often show how their stains look on various kinds of wood including pine, birch and sometimes oak. You'll get a sense from that display which color may come closest to meeting your needs. The commercially available stains may not offer a deep or dark enough color for your preferences. For example, I have not found a stain that matches the dark reddish furniture stain that Bespaq miniatures come in.
If you want to match the Bespaq stain, you may want to go to a paint store where the clerk is willing to work with you on customizing the stain. I found a nice, locally-owned paint store nearby that has worked with me on some of my paints and stains. A mom and pop store may be more willing to help you than some of the big paint or DIY stores.The paint store can add extra pigment to the stain, which will make it more opaque, but it will also darken it to a color you may prefer. Keep in mind that the darkened stain won't show as much of the actual wood grain as a lighter stain will.
Take a raw sample piece of the wood you used for making your mini when you go to the paint store; and start by experimenting with a dab of the various stain colors they already have. (Most paint stores will allow you to test a tiny amount of the stain at no charge.) If you're staining a kit, most of the dollhouse kits use bass wood. You can find that kind of wood in most hobby stores in the U.S. (I have no idea about other countries - sorry for my ignorance.) You can also mix and match stains, putting on one coat of a color and then adding another after the first one has dried.
If you want to have the wood grain show through and you're using a wood such as Walnut, then you don't even need to use a colored stain on the piece. You can use a clear, oil-based stain on it. This will darken your wood slightly with just that application alone. Let it dry a day or so before you apply any finish.
Before you do any staining, though, make sure you have sanded your piece to a smooth finish. (Start with 120 grit paper, then use 150 grit and then finish off your work with 220 grit.) I sometimes keep on advancing to finer grits. 3M makes an open coat paper (it's yellow in color) that comes in 320 and 400 grits. If I really want to smooth my wood, I'll go to that level of sanding.
When I build a furniture kit or make something from scratch, I usually sand the individual piece of wood first. I'll set the sandpaper down on a smooth, hard surface. A good, Masonite or plastic clip board with a smooth surface is ideal for this. The clip holds the paper in place and the smooth, flat surface under the sandpaper won't distort your sanding. I hold the wood piece by its middle and move it over the sand paper in the direction of the wood grain. After about 10 to 20 strokes, I reverse the direction of the piece in my hand and sand the same number of times on that same side of the piece of wood. That way, if my hand is accidentally applying more pressure on one end than the other, I even out the amount of material removed from both ends.
Once you're done with the sanding, make sure to wipe the piece down thoroughly with a tack cloth. Then you're ready to stain. I have applied my stains with a facial tissue; but some tissues can leave stained pieces of paper dust on the surface. If you have an old T-shirt or other cotton fabric you don't mind destroying, cut a small piece of that fabric and use it to wipe on the stain. With minis, a little goes a long way, remember!
Once the stain has dried, wipe the piece with a clean cloth to knock off any colored tissue dust (or regular dust). Next, spray it with Deft. Try to find a room that doesn't have a lot of sawdust in the air or thoroughly vacuum up your workshop before you begin to spray. No matter how clean your room, you'll still likely get some dust in the finish. I usually do a couple of coats with the Deft.
In between sprays, I gently wipe down the surfaces with 0000 steel wool. This removes most of the dust imperfections. You'll be able to feel any imperfections on the flat surfaces of the piece. I wipe it down with a tack rag after I've used the steel wool. Rub GENTLY with the steel wool - especially along any edges of the wood. It can cut clear down to your bare wood very quickly. If you want to add some luster to the piece and help protect the finish, you can also add some furniture paste wax to the piece. Be sure to thoroughly rub out the wax, though, after you've applied it to your mini.
When I purchased the finishing kit, the varnish had already gone bad; so I only used the stain. I wasn't sure how to finish it, though, until I attended a miniature show in Chicago. One of the professional furniture builders there recommended I use Deft semi-gloss. He noted that it dries quickly and goes on thin enough that it doesn't overwhelm the delicate work piece. I've used Deft ever since on all of my minis.
As far as stains go, I've used a variety of them. However, I don't use and don't recommend using water-based stains. The water-based stains raise the grain of the wood. Oil-based stains don't. Miniaturists don't need to be afraid of using commercial, oil-based wood stains.
Sherwin Williams used to sell small cans of stain that were about a half-pint volume. For miniatures use, they were perfect, since I didn't need very much of it. Now, however, I can only get their stains in quart containers. As long as you seal the can thoroughly, you can make one of those quart sized containers last a l-o-n-g time! (The stain doesn't dry out nor does it get a skin on the top of it like paint and varnish do.) If you have some friends in the hobby, you could by a quart of the stain, stir it up thoroughly, pour it out into a bunch of baby food jars, and share it with them!
The main thing to remember when using these stains is that you will need to stir the can (or jar) thoroughly each time you use it, because the dark pigments often settle to the bottom of the can. Also, if you're working with a wood grain that doesn't take the stain evenly (like pine wood), it's advisable to get a can of clear stain and apply that first to reduce the stain's uptake into the grain. This is especially important for end grain parts of the wood. They can become extremely dark, because they absorb too much of the stain - far more than the top and sides of a piece of wood.
Many of the paint stores will have displays showing the various colors of stain they have available. The display will often show how their stains look on various kinds of wood including pine, birch and sometimes oak. You'll get a sense from that display which color may come closest to meeting your needs. The commercially available stains may not offer a deep or dark enough color for your preferences. For example, I have not found a stain that matches the dark reddish furniture stain that Bespaq miniatures come in.
If you want to match the Bespaq stain, you may want to go to a paint store where the clerk is willing to work with you on customizing the stain. I found a nice, locally-owned paint store nearby that has worked with me on some of my paints and stains. A mom and pop store may be more willing to help you than some of the big paint or DIY stores.The paint store can add extra pigment to the stain, which will make it more opaque, but it will also darken it to a color you may prefer. Keep in mind that the darkened stain won't show as much of the actual wood grain as a lighter stain will.
Take a raw sample piece of the wood you used for making your mini when you go to the paint store; and start by experimenting with a dab of the various stain colors they already have. (Most paint stores will allow you to test a tiny amount of the stain at no charge.) If you're staining a kit, most of the dollhouse kits use bass wood. You can find that kind of wood in most hobby stores in the U.S. (I have no idea about other countries - sorry for my ignorance.) You can also mix and match stains, putting on one coat of a color and then adding another after the first one has dried.
If you want to have the wood grain show through and you're using a wood such as Walnut, then you don't even need to use a colored stain on the piece. You can use a clear, oil-based stain on it. This will darken your wood slightly with just that application alone. Let it dry a day or so before you apply any finish.
Before you do any staining, though, make sure you have sanded your piece to a smooth finish. (Start with 120 grit paper, then use 150 grit and then finish off your work with 220 grit.) I sometimes keep on advancing to finer grits. 3M makes an open coat paper (it's yellow in color) that comes in 320 and 400 grits. If I really want to smooth my wood, I'll go to that level of sanding.
When I build a furniture kit or make something from scratch, I usually sand the individual piece of wood first. I'll set the sandpaper down on a smooth, hard surface. A good, Masonite or plastic clip board with a smooth surface is ideal for this. The clip holds the paper in place and the smooth, flat surface under the sandpaper won't distort your sanding. I hold the wood piece by its middle and move it over the sand paper in the direction of the wood grain. After about 10 to 20 strokes, I reverse the direction of the piece in my hand and sand the same number of times on that same side of the piece of wood. That way, if my hand is accidentally applying more pressure on one end than the other, I even out the amount of material removed from both ends.
Once you're done with the sanding, make sure to wipe the piece down thoroughly with a tack cloth. Then you're ready to stain. I have applied my stains with a facial tissue; but some tissues can leave stained pieces of paper dust on the surface. If you have an old T-shirt or other cotton fabric you don't mind destroying, cut a small piece of that fabric and use it to wipe on the stain. With minis, a little goes a long way, remember!
Once the stain has dried, wipe the piece with a clean cloth to knock off any colored tissue dust (or regular dust). Next, spray it with Deft. Try to find a room that doesn't have a lot of sawdust in the air or thoroughly vacuum up your workshop before you begin to spray. No matter how clean your room, you'll still likely get some dust in the finish. I usually do a couple of coats with the Deft.
In between sprays, I gently wipe down the surfaces with 0000 steel wool. This removes most of the dust imperfections. You'll be able to feel any imperfections on the flat surfaces of the piece. I wipe it down with a tack rag after I've used the steel wool. Rub GENTLY with the steel wool - especially along any edges of the wood. It can cut clear down to your bare wood very quickly. If you want to add some luster to the piece and help protect the finish, you can also add some furniture paste wax to the piece. Be sure to thoroughly rub out the wax, though, after you've applied it to your mini.
Tuesday, December 22, 2009
Captured in Ink
For some reson, the pictures on page 31 are slightly out of focus. That may because the matted pictures you see on that page were in a PowerPoint slide. The magazine's artist pulled them out of the slide, added some shadows behind them and overlapped the images. It makes a nice collage, but the pictures lose a little in clarity.
If you're curious about the photos in the collage on page 31 of the article, I took all but one of the pictures myself. Starting at the top left and going clockwise they are: Prospect Park in Brooklyn, NY; the Bundy family circa 1900 (this is the only one of the grouping that I did NOT take!); a view on Mount Lemon near Tucson, AZ; the Maroon Bells near Aspen, CO; my girls a few years ago; and downtown Chicago on a foggy night.
I've written a follow-up article, which is coming out in the next issue of the News with more information about how to do the matting with ovals and shapes. I hope you find the instructions clear and easy to follow. Since you're already a computer user and reading this blog, you may find it easier to do the matting than some of the other DH readers.
Sunday, December 6, 2009
Let Your Imaginations Take Flight
Want to guess what this block of walnut wood is going to become? (Hint: It won't become just a pile of sawdust or ashes in my fireplace!)
Having enough of the "right" tools makes miniature-making a lot of fun. If I succeed in using some of my tools skillfully, this block of wood will evolve into something quite interesting.
I wish I could say I am so skillful that I won't have to use any more than this 4" by 9" piece of wood. I might have to go back and cut another 4" piece to finish the job. We'll see...
It will take several months for me to get this done, since I've been extremely busy lately. I'll post a few photos along the way and see if anyone can guess what it's going to become. If you've been following my blog over the past months, you may be able to guess at least what part of this wood will be transformed into.
Having enough of the "right" tools makes miniature-making a lot of fun. If I succeed in using some of my tools skillfully, this block of wood will evolve into something quite interesting.
I wish I could say I am so skillful that I won't have to use any more than this 4" by 9" piece of wood. I might have to go back and cut another 4" piece to finish the job. We'll see...
It will take several months for me to get this done, since I've been extremely busy lately. I'll post a few photos along the way and see if anyone can guess what it's going to become. If you've been following my blog over the past months, you may be able to guess at least what part of this wood will be transformed into.
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